646f9e108c Meera and Arjun are happily married and presently working in Gurgaon. Emergency work forces Meera to break off from a party they both are in and she drives to work alone, when she is mugged. This gives her all reasons to obtain a licensed gun to protect herself from these harrowing experiences. This is when Arjun tries to ease things off by planning to celebrate Meera's birthday in a private villa in NH10, hours' drive away. Along their way, they encounter a young couple who are supposedly eloping, but are caught on the act. Here is where the learned urbane meets the rural; where the verdict of the sarpanch supersedes the law books governing the country.
On their way to a weekend retreat, a married couple find their dream vacation turn into a nightmare when they cross paths with a dangerous gang.
There has been a huge paradigm shift with how the subject of "attacks against women" has been handled (particularly in India). While the focus should be on finding and rectifying the many causes, concerned entities are satisfying themselves with easy blame games and brainless attempts at solving, suchthis film. Released just over a week after the controversial and incorrectly named documentary "India's Daughter" flocked the media, NH10 is a social commentary that neither inspires nor deciphers.<br/><br/>A couple (Sharma & Bhoopalam) witness an aggressive incident of honor killing during a holiday trip. Abashing causes the ubiquitous male ego to splutter, and what follows is a serious commentary on crime in a morally corrupt rural India. Basically, the film is a chronicle about attacks and harassment against women that start from the core (national interiors) and spreads to the urbane neighborhood. It is surprising to learn that superstitional crime is spearheaded by a matriarch and that women are not at only the receiving end, but are even a part of it. It will be wise to conclude that Gandhi's ahimsa (violence) is the best way to look at the ongoing mishappenings around us, even if it means letting your ego go and sustain mental suffering.<br/><br/>The terrorizing experience when an ordinary person gets embroiled in crime is greatly captured. But Mr Singh's amateur direction is evident throughout the narration. Suspense is created solely with the help of manipulative score and good photography. And while the themes are interesting, the screenplay may repel its sensitive audience. Which means, the intensity of crime elements will not be suitable for a person who enters the hall expecting typical Bollywood.<br/><br/>Neil Bhoopalam is the new Arjun Rampal, with a wooden face, version 2. Anushka Sharma definitely steals the limelight, and I have to say she strikes the right chord with her maiden production (only if she had paid more attention to the originality and closure of the script). Deepti Naval's brief role was like Anil Kapoor's forgotten one in Mission: Impossible 4 (2011).<br/><br/>Alas, the chronicle is narrated of a world which is a mixture of reality and artificiality. Since the beginning, the screenplay tries inventive ways to base its construction, but eventually falters. How else can one explain the procuring of firearm for women's safetya way of disentanglement? And the film continues to work itself on fool's ideas. There is some more sermoning on the caste system in India, but it takes you nowhere. While the ugly side of India is captured well with obscene inscriptions behind restroom doors and decrepit walls that we often see in trains and elsewhere, the film loses traction when it turns into a revenge drama, hoping to provide a solution I told you about. <br/><br/>It, thus ends up in an abyss of illogic and mindless pudding. And the aftermath is left to us, perhaps to increase our misery already pumped up by the highly uncomfortable watch. <br/><br/>BOTTOMLINE: Advocating criminality in the name of women empowerment is ridiculous and an incorrect way of tackling the subject, and for that matter, NH10 does only that. Thus, while the film is a gripping thriller per se, it shouldn't be taken seriously, and thankfully for the way it is made, it most probably will not. 5/10.<br/><br/>Can be watched with a typical Indian family? NO<br/><br/>Violence/Gore: Infinity | Smoking: Mediocre | Sex/Obscenity/Vulgarity: No
It was coming on TV and I normally don't watch too many bollywood movies because their song, dance and melodrama does not catch my fancy however living in South Delhi and always travelling to Gurgaon for meeting friends and clients , this movie got my attention. By the end I could see that it was basically a script taken of many other Hollywood films (or British) like Eden lake (but not children) however lets not take anything away from the film. The direction, editing , background score and surprisingly Anoushka's (whom I actually don't like much) acting was pretty good too. <br/><br/>It should what rural Harayana quintessentially is like without any tongue in cheek humour which is what I liked. It's not some to joke about. The movie is definitely worth a watch or two until and unless you are from rural Harayana or U.P then the truth might hurt you.


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